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<rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><atom:link rel="hub" href="http://tumblr.superfeedr.com/" xmlns:atom="http://www.w3.org/2005/Atom"/><description>/ contemporary visuals arts / video / experimental film 
lab &amp; flux / curated by samy da silva</description><title>generic / notes</title><generator>Tumblr (3.0; @genericnotes)</generator><link>http://genericnotes.tumblr.com/</link><item><title>kiameku:

Richard Hughes Untitled (match) 2003 Mixed media...</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_m2l1d4Qb2E1qbt4hlo1_400.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;a class="tumblr_blog" href="http://kiameku.tumblr.com/post/21216428085/richard-hughes-untitled-match-2003-mixed" target="_blank"&gt;kiameku&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Richard Hughes&lt;br/&gt; Untitled (match)&lt;br/&gt; 2003&lt;br/&gt; Mixed media&lt;br/&gt; 24.2x8.5x6.1 inches&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://genericnotes.tumblr.com/post/21219183118</link><guid>http://genericnotes.tumblr.com/post/21219183118</guid><pubDate>Mon, 16 Apr 2012 20:29:29 +0200</pubDate><category>richard hughes</category><category>untitled (match)</category><category>2003</category><category>mixed media</category><category>sculpture</category><category>dispositif</category><category>split self</category></item><item><title>exit-weeping:


RH Quaytman, The Sun, Chapter One (Book One-...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lyyb5nb22q1qbdn31o1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;a class="tumblr_blog" href="http://exit-weeping.tumblr.com/post/17134092463/rh-quaytman-the-sun-chapter-one-book-one-fear" target="_blank"&gt;exit-weeping&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;div&gt;
&lt;p&gt;RH Quaytman, &lt;em&gt;The Sun, Chapter One (Book One- Fear)&lt;/em&gt;&lt;/p&gt;
&lt;/div&gt;
&lt;/blockquote&gt;</description><link>http://genericnotes.tumblr.com/post/17173185515</link><guid>http://genericnotes.tumblr.com/post/17173185515</guid><pubDate>Mon, 06 Feb 2012 23:30:39 +0100</pubDate></item><item><title>grateful to Omer Pesker</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lguwqak3TJ1qzchp2o1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;grateful to &lt;a href="https://www.facebook.com/omer.pesquer" target="_blank"&gt;Omer Pesker&lt;/a&gt;&lt;/p&gt;</description><link>http://genericnotes.tumblr.com/post/14824109384</link><guid>http://genericnotes.tumblr.com/post/14824109384</guid><pubDate>Mon, 26 Dec 2011 21:44:09 +0100</pubDate></item><item><title>uncertaintimes:

Albrecht Dürer, Drapery Study, 1528
</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_luyemr4eyl1qzs3iqo1_400.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;a class="tumblr_blog" href="http://uncertaintimes.tumblr.com/post/13055375502/albrecht-durer-drapery-study-1528" target="_blank"&gt;uncertaintimes&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href="http://www.mba-lyon.fr/mba/sections/languages/english/collections/masterpieces/pieces1476/drapery-study?b_start:int=25#res_recherche" target="_blank"&gt;Albrecht Dürer, Drapery Study, 1528&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://genericnotes.tumblr.com/post/13120848642</link><guid>http://genericnotes.tumblr.com/post/13120848642</guid><pubDate>Mon, 21 Nov 2011 21:00:20 +0100</pubDate><category>albrecht dürer</category><category>drapery study</category><category>1528</category><category>visual arts</category><category>thought</category><category>split self</category></item><item><title>katiecarnes:

We see what we want.
</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_lr9ye0CCe01qzzxgbo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;a href="http://katiecarnes.tumblr.com/post/10007139568" target="_blank"&gt;katiecarnes&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;We see what we want.&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://genericnotes.tumblr.com/post/10271150676</link><guid>http://genericnotes.tumblr.com/post/10271150676</guid><pubDate>Fri, 16 Sep 2011 09:39:37 +0200</pubDate><category>black and white</category><category>photography</category><category>typography</category></item><item><title>thanks to regardintemporel:

Josef Sudek - Veiled Head, 1942
</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_lr7b2blx9n1qdy7vgo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;thanks to &lt;a href="http://regardintemporel.tumblr.com/post/9953806212" target="_blank"&gt;regardintemporel&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;em&gt;Josef Sudek - Veiled Head, 1942&lt;/em&gt;&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://genericnotes.tumblr.com/post/9953880997</link><guid>http://genericnotes.tumblr.com/post/9953880997</guid><pubDate>Thu, 08 Sep 2011 13:16:21 +0200</pubDate><category>1940s</category><category>veiled head</category><category>josef sudek</category><category>split self</category><category>tought</category><category>art</category><category>visual art</category><category>photography</category></item><item><title>“tout ce qui tombe à terre a un poids”, by Anne...</title><description>&lt;iframe src="http://player.vimeo.com/video/5480810" width="400" height="300" frameborder="0"&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;“tout ce qui tombe à terre a un poids”, by &lt;a target="_self" href="http://www.annecolomes.fr/"&gt;Anne Colomes&lt;/a&gt;, 10 min. 33, co-directors: Paulli Konttajarvi, Ville Vuorjoki, Arnaud Dejeammes, Krista Skold, Véronique Dutilly -/- Frédéric Papon&lt;/p&gt;</description><link>http://genericnotes.tumblr.com/post/9412433286</link><guid>http://genericnotes.tumblr.com/post/9412433286</guid><pubDate>Fri, 26 Aug 2011 14:08:53 +0200</pubDate><category>tout ce qui tombe à terre a un poids</category><category>anne colomes</category><category>video</category><category>le fresnoy</category><category>narrative</category><category>art</category><category>visual arts</category><category>thoughtful</category><category>longing</category></item><item><title>“Dust Restriction” - installation, by Herman Kolgen</title><description>&lt;iframe src="http://player.vimeo.com/video/26607228" width="400" height="300" frameborder="0"&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;“Dust Restriction” - installation, by Herman Kolgen&lt;/p&gt;</description><link>http://genericnotes.tumblr.com/post/9330895850</link><guid>http://genericnotes.tumblr.com/post/9330895850</guid><pubDate>Wed, 24 Aug 2011 13:29:05 +0200</pubDate><category>dust restriction</category><category>installation</category><category>video</category><category>space</category><category>matter</category><category>art history</category><category>élevage de poussière</category><category>herman kilgan</category><category>environment</category><category>thought</category><category>visual arts</category></item><item><title>“Cremaster 1”, by Matthew Barney, 1995, film cycle,...</title><description>&lt;iframe width="400" height="300" src="http://www.youtube.com/embed/_y9tM8dcyuk?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;“Cremaster 1”, by &lt;a target="_self" href="http://en.wikipedia.org/wiki/Matthew_Barney"&gt;Matthew Barney,&lt;/a&gt; 1995, film cycle, part 1 of 5 chapters / &lt;a target="_self" href="http://www.cremaster.net/"&gt;dedicated website&lt;/a&gt; / on the &lt;a target="_self" href="http://en.wikipedia.org/wiki/The_Cremaster_Cycle"&gt;Cremaster Cycle&lt;/a&gt; / “&lt;span&gt;Nancy Spector has described the &lt;em&gt;Cremaster&lt;/em&gt; cycle (1994–2002) as “a self-enclosed &lt;a title="Aesthetic" href="http://en.wikipedia.org/wiki/Aesthetic" target="_blank"&gt;aesthetic&lt;/a&gt; system.”“, &lt;a target="_self" href="http://en.wikipedia.org/wiki/The_Cremaster_Cycle"&gt;source&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;“…&lt;span&gt;Its five constituent films, produced between 1994 and 2002, have been characterised by their author as filmic sculptures, though the Cremasters are to sculpture what physiology is to anatomy. You are encouraged to see them in the order in which they were made. That is: Cremaster 4, 1, 5, 2 and then the final work, 3: the pentalogy’s huge centrepiece and, at three hours long, sufficiently gigantic and mad to qualify as epic all on its own. The aggregate running time is over six hours. …”&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;from &lt;a target="_self" href="http://film.guardian.co.uk/News_Story/Critic_Review/Guardian_Film_of_the_week/0,4267,1064264,00.html"&gt;Peter Bradshaw’s review for the Guardian&lt;/a&gt;, 2003&lt;/span&gt;&lt;/p&gt;</description><link>http://genericnotes.tumblr.com/post/9219587531</link><guid>http://genericnotes.tumblr.com/post/9219587531</guid><pubDate>Sun, 21 Aug 2011 22:14:00 +0200</pubDate><category>cremaster 1</category><category>matthew barney</category><category>1996</category><category>1994-2002</category><category>film</category><category>visual arts</category><category>cremaster cycle</category><category>thought</category><category>gender</category><category>form</category></item><item><title>‎”The Forty Elephants” by Alastair Cook, video /...</title><description>&lt;iframe src="http://player.vimeo.com/video/22000112" width="400" height="300" frameborder="0"&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span&gt;‎”The Forty Elephants” by Alastair Cook, video / words by Gérard Rudolf &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;“no rest for the dreamer… / … not rest for the prophecy.. / tonight…”&lt;/span&gt;&lt;/p&gt;</description><link>http://genericnotes.tumblr.com/post/8968791601</link><guid>http://genericnotes.tumblr.com/post/8968791601</guid><pubDate>Tue, 16 Aug 2011 00:24:00 +0200</pubDate><category>the forty elephants</category><category>alastair cooke</category><category>video</category><category>film</category><category>experimental</category><category>gérard rudolf</category><category>words</category><category>images</category><category>memory</category><category>split self</category><category>divided</category><category>no rest</category><category>shadows</category><category>thought</category><category>poetry</category></item><item><title>‎”Bellevue”, 2007, by Michaela Schwentner,...</title><description>&lt;iframe src="http://player.vimeo.com/video/9202560" width="400" height="300" frameborder="0"&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span&gt;‎”Bellevue”, 2007, by Michaela Schwentner, &lt;a target="_self" href="http://www.jade-enterprises.at%E2%80%8B/"&gt;artist’s website &lt;/a&gt;- grateful to Edward @ &lt;a href="http://gazelluloid.com/post/michaela-schwentner-bellevue-2007" target="_blank"&gt;gazelluloid&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;span&gt;‎”Dans les paysages montagnards, les guides touristiques signalent le point d’où le panorama se découvre dans sa plus grande ampleur et dans sa splendeur la plus vertigineuse: c’est le “point sublime”“&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;span&gt;Alain Besançon, Trois tentations dans l’église, p.158, Calmann-Lévy, 1996&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</description><link>http://genericnotes.tumblr.com/post/8773530895</link><guid>http://genericnotes.tumblr.com/post/8773530895</guid><pubDate>Thu, 11 Aug 2011 11:52:12 +0200</pubDate><category>bellevue</category><category>michaela schwentner</category><category>point sublime</category><category>video</category><category>experimental</category><category>gazelluloid</category><category>perte</category><category>split self</category><category>point de vue</category><category>geopoetics</category></item><item><title>“Home Sapiens Project (1) by Rouzbeh Rashidi / “Homo...</title><description>&lt;iframe src="http://player.vimeo.com/video/27261196?title=0&amp;byline=0&amp;portrait=0&amp;color=ffffff&amp;autoplay=1" width="400" height="225" frameborder="0"&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;“Home Sapiens Project (1) by &lt;a target="_self" href="http://www.rouzbehrashidi.com/"&gt;Rouzbeh Rashidi&lt;/a&gt; / “&lt;span&gt;Homo Sapiens Project is an ongoing series of experimental and personal video works by Rouzbeh Rashidi initiated in August 2011 for both online and screen context. &lt;/span&gt;&lt;span&gt;Produced By Experimental Film Society”&lt;/span&gt;&lt;/p&gt;</description><link>http://genericnotes.tumblr.com/post/8598846084</link><guid>http://genericnotes.tumblr.com/post/8598846084</guid><pubDate>Sun, 07 Aug 2011 15:14:52 +0200</pubDate><category>himo sapiens project</category><category>video</category><category>film</category><category>rouzbeh rashidi</category><category>thought</category><category>moving image</category><category>art</category><category>visual arts</category></item><item><title>“Raw Nerves - a lacanian thriller” by Manuel de...</title><description>&lt;iframe src="http://player.vimeo.com/video/23710552" width="400" height="300" frameborder="0"&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;“Raw Nerves - a lacanian thriller” by &lt;a target="_self" href="http://www.egs.edu/faculty/manuel-de-landa/biography/"&gt;Manuel de Landa&lt;/a&gt;&lt;/p&gt;</description><link>http://genericnotes.tumblr.com/post/8517306719</link><guid>http://genericnotes.tumblr.com/post/8517306719</guid><pubDate>Fri, 05 Aug 2011 18:19:00 +0200</pubDate><category>raw nerves a lacanian thriller</category><category>manuel de landa</category><category>egs</category><category>experimental</category><category>video</category><category>film</category><category>art</category><category>visual arts</category><category>split self</category></item><item><title>“Autoportrait en noyé”, 1840, by Hippolyte Bayard /...</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_lpeilaGRwh1qbj3dao1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span&gt;“Autoportrait en noyé”, 1840, by &lt;a target="_self" href="http://en.wikipedia.org/wiki/Hippolyte_Bayard"&gt;Hippolyte Bayard&lt;/a&gt; / Collection Société française de photographie / Tous droits réservés. &lt;a target="_self" href="http://www.telerama.fr/scenes/avec-hippolyte-bayard-la-photographie-devint-fiction,71516.php"&gt;source&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</description><link>http://genericnotes.tumblr.com/post/8468609948</link><guid>http://genericnotes.tumblr.com/post/8468609948</guid><pubDate>Thu, 04 Aug 2011 13:29:00 +0200</pubDate><category>autoportrait en noyé</category><category>hyppolyte bayard</category><category>1840</category><category>photography</category><category>art</category><category>visual arts</category><category>narrative</category></item><item><title>documentary “Paris is burning” by Jennie Livingstone...</title><description>&lt;iframe src="http://player.vimeo.com/video/8350272" width="400" height="300" frameborder="0"&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;documentary “Paris is burning” by Jennie Livingstone / “&lt;a target="_self" href="http://bodynobody.blogspot.com/"&gt;body / no body&lt;/a&gt;” lab: drag / via &amp; thx to @RosaManueal&lt;/p&gt;
&lt;p&gt;“Paris Is Burning is a 1990 documentary film directed by Jennie Livingston. Filmed in the mid-to-late 1980s, it chronicles the ball culture of New York City and the poor, African American and Latino gay and transgendered community involved in it. Many consider Paris Is Burning to be an invaluable documentary of the end of the “Golden Age” of New York City drag balls, as well as a thoughtful exploration of race, class, and gender in America.”&lt;/p&gt;

&lt;p&gt;…words taken from &lt;a target="_self" href="http://en.wikipedia.org/wiki/Paris_Is_Burning_(film)"&gt;wikipedia&lt;/a&gt;&lt;/p&gt;</description><link>http://genericnotes.tumblr.com/post/8211969855</link><guid>http://genericnotes.tumblr.com/post/8211969855</guid><pubDate>Fri, 29 Jul 2011 13:47:02 +0200</pubDate><category>paris is burning</category><category>jennie livingstone</category><category>documentary</category><category>gender</category><category>drag</category><category>body no / body</category><category>lab</category><category>drag</category><category>minorities</category><category>assertiveness</category><category>bodynobody</category><category>RosaManueal</category></item><item><title>a fine paper by Julie Crenn on Tracey Rose: ” Le défi au...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lp0eegF1gu1qbj3dao1_400.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;a fine paper by &lt;a target="_self" href="https://www.facebook.com/juliinuit"&gt;Julie Crenn&lt;/a&gt; on &lt;a target="_self" href="http://www.artthrob.co.za/01mar/artbio.html"&gt;Tracey Rose&lt;/a&gt;: ” &lt;a target="_self" href="http://crennjulie.wordpress.com/2011/07/27/tracey-rose-le-defi-au-corps/"&gt;Le défi au corps&lt;/a&gt;” / &lt;a target="_self" href="http://bodynobody.blogspot.com/"&gt;body no / body&lt;/a&gt; lab: mascarades / masquerades&lt;/p&gt;</description><link>http://genericnotes.tumblr.com/post/8140763105</link><guid>http://genericnotes.tumblr.com/post/8140763105</guid><pubDate>Wed, 27 Jul 2011 22:32:00 +0200</pubDate><category>tracey rose</category><category>body no / body</category><category>lab</category><category>mascarades</category><category>masquerades</category><category>body</category><category>bodynobody</category><category>gender</category><category>trouble</category><category>julie butler</category><category>julie crenn</category><category>le défi au corps</category></item><item><title>“Reconstitition” by Hélène Abram / artist’s...</title><description>&lt;iframe src="http://www.dailymotion.com/embed/video/xk24a" width="400" height="300" frameborder="0"&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;“Reconstitition” by Hélène Abram / artist’s &lt;a target="_self" href="http://fr.wikipedia.org/wiki/H%C3%A9l%C3%A8ne_Abram"&gt;wikipedia&lt;/a&gt; / &lt;a target="_self" href="http://bodynobody.blogspot.com/"&gt;body no / body&lt;/a&gt; lab: “expectations”_”attentes / “toutes les trois, au moins” / via &amp; thx to &lt;a target="_self" href="https://www.facebook.com/sabine.bultot"&gt;Sabine Bultot&lt;/a&gt;&lt;/p&gt;</description><link>http://genericnotes.tumblr.com/post/8050821570</link><guid>http://genericnotes.tumblr.com/post/8050821570</guid><pubDate>Mon, 25 Jul 2011 20:48:54 +0200</pubDate><category>reconstitution</category><category>hélène abram</category><category>video</category><category>film</category><category>experimental</category><category>body no / body</category><category>lab</category><category>expectations</category><category>narrative</category><category>split self</category><category>bodynobody</category><category>thought</category><category>ageism</category><category>expectations</category><category>attentes</category><category>sabine bultot</category></item><item><title>“On The History of Ugliness”, conference by Umberto...</title><description>&#13;
Umberto Eco&#13;
&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span&gt;“&lt;a href="http://videolectures.net/cd07_eco_thu/" target="_blank"&gt;On The History of Ugliness&lt;/a&gt;”, conference by Umberto Eco / “&lt;a target="_self" href="http://bodynobody.blogspot.com/"&gt;body no / body&lt;/a&gt;” lab: “as it says on the tin” / &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;“&lt;/span&gt;&lt;span&gt;In “History of Beauty,” Umberto Eco explored the ways in which notions of attractiveness shift from culture to culture and era to era. With ON UGLINESS, a collection of images and written excerpts from ancient times to the present, he asks: Is repulsiveness, too, in the eye of the beholder? And what do we learn about that beholder when we delve into his aversions? Selecting stark visual images of gore, deformity, moral turpitude and malice, and quotations from sources ranging from Plato to radical feminists, Eco unfurls a taxonomy of ugliness. As gross-out contests go, it’s both absorbing and highbrow.”&lt;/span&gt;&lt;/p&gt;</description><link>http://genericnotes.tumblr.com/post/7934051084</link><guid>http://genericnotes.tumblr.com/post/7934051084</guid><pubDate>Fri, 22 Jul 2011 19:49:00 +0200</pubDate><category>on the history of ugliness</category><category>umberto eco</category><category>conference</category><category>body no / body</category><category>lab</category><category>bodynobody</category><category>art</category><category>thought</category><category>research</category></item><item><title>video / sound / installation :”An Accumulation of...</title><description>&lt;iframe src="http://player.vimeo.com/video/14154982" width="400" height="300" frameborder="0"&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span class="Apple-style-span"&gt;video / sound / installation :”An Accumulation of Energy” by Marcia Jane &amp; Dinesh de Silva&lt;/span&gt;&lt;/p&gt;</description><link>http://genericnotes.tumblr.com/post/7840196387</link><guid>http://genericnotes.tumblr.com/post/7840196387</guid><pubDate>Wed, 20 Jul 2011 12:43:41 +0200</pubDate><category>an accumulation of energy</category><category>video</category><category>sound</category><category>installation</category><category>marcia jane</category><category>dinesh de silva</category><category>space</category><category>disorientation</category></item><item><title>
“I smell you on my skin” by Jenny Holzer (florence, 1996) / via...</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_lodzg4FStf1qaruxco1_r1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;blockquote&gt;
&lt;p&gt;“I smell you on my skin” by &lt;a href="http://www.jennyholzer.com/Projections/site/Florence1996/" target="_blank"&gt;Jenny Holzer (florence, 1996&lt;/a&gt;) / via &amp; thx to: &lt;/p&gt;
&lt;a href="http://visual-poetry.tumblr.com/post/7760156632" target="_blank"&gt;visual-poetry&lt;/a&gt; / “&lt;a target="_self" href="http://bodynobody.blogspot.com/"&gt;body no / body&lt;/a&gt;” lab: skin&lt;/blockquote&gt;</description><link>http://genericnotes.tumblr.com/post/7760868684</link><guid>http://genericnotes.tumblr.com/post/7760868684</guid><pubDate>Mon, 18 Jul 2011 15:26:55 +0200</pubDate><category>i smell you on my skin</category><category>jenny holzer</category><category>1996</category><category>body no / body</category><category>lab</category><category>bodynobody</category><category>skin</category><category>thought</category><category>language</category></item></channel></rss>
